10/31/2022 0 Comments Type text in a circle psp x3Let’s deal with these 2 using some quick-fix techniques that I have developed. (The background plate was adjusted with a slight color cast for effect.) #2 The color of our girl doesn’t quite match the colorizing of the plate. The shadow at the tip of her head wouldn’t stay the same over the lip of the road, as there is distance there in the background plate. There are two little issues in this particular image. I believe its the extra little things that really make a difference between a good effect, and one that is believably realistic. One of the things I’m often accused of, is being a perfectionist. You now have a basic, realistic cast shadow, but read on. (The red in this image shows where I dragged the mask)įor more details on this technique see hereįinally Set the shadow to multiply mode and the opacity of the top shadow layer to about 50%-75% and the bottom shadow to about 30%Įxperiment and see what looks best for your image. Make sure the mask is selected and using the gradient tool drag it from about 1/4 way to the the bottom of the shadow to about 3/4 of the way up to blend the 2 shadow layers. Grab the gradient tool and set the colors to black and white (D key). Press ok when done.Īdd a layer mask to the top shadow layer by clicking the Layer mask button in the Layers panel. Add enough blur to make the shadow softer, the setting will vary according to the size of the image that you’re working on. (We are going to blend 2 shadows together)Ĭhoose Filter>Blur>Gaussian Blur. Let’s set this second shadow to the softer end of things. Turn off the visibility of the bottom shadow layer and select the top shadow layer, This is the one we are going to soften. We now want to make the shadow softer as it gets further away.ĭuplicate the shadow layer by dragging the layer into the “new layer icon” in the layers panel, of press Cmd/Ctrl+J. The shadow will soften with distance and lose intensity (or darkness). If you look at a shadow in the real world, you will notice, as the subject that’s casting the shadow gets further away from the surface that receives the shadow, 2 things happen. However its missing some realism that we are going to add now. Press Enter/Return to apply the transformation. Reposition any of the handles if you need to. Click and drag the top right square (called handles) until it looks similar to the picture.Ĭlick and drag on the left top handle to match the angle on the road behind our model. Drag in the middle of the box to reposition it. You will see a bounding box with 8 little squares. Right click on the selected object, (Mac:Cmd click). #Type text in a circle psp x3 free#Press Ctrl/Cmd+T, this will bring up the free transform tool. (If you are going to do this to text, you must render the type first) (I moved our guitar girl to the left of her shadow, just do you can see the separation in the image here). The shadow will be moved to its own layer directly underneath the original as shown in the screen grab. The layer will now be spilt into 2 layers. In the Layers panel, right click on the little “f” on the right of the layer name. We are going to separate the layer style from the layer, so that we have the shadow by itself on its own layer. We now have a pretty good drop shadow, but we want a cast shadow. I changed it to a blue color to match the color of the shadow on the car.Īlso change the “size” to match the softness of the other shadows in the scene. Click the black rectangle to the right of the blend mode in the Drop Shadow dialog box. The first thing that we are going to do, is to create a standard drop shadow.Ĭhoose The Layer style button at the bottom of the Layers panel (looks like a little “f”) Select Drop Shadow.Īt the moment, it looks more like a person standing in front of a billboard, rather than being integrated into the scene. That’s the difference between a drop shadow and a cast shadow.įor some realism, let’s first choose the correct color for the shadow. The shadow also serves to anchor the object to its surface. Without the shadow, there is no visual clue as to the scale and position of the object. Here we have the background plate and the extracted subject that we need to apply a shadow to. Open your image and remove it from the background. © Photography and tutorial by Colin Smith
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